Film · Prime Video · 1994
Pass it on
Thumbelina
53Watch it awake.
The want is home. The songs are of their decade. A child can watch it; do not let the romance be the moral.
The review
Thumbelina is kidnapped into other people's plans: a toad who wants a wife for her son, a mole who wants a pretty thing for a dark house, a beetle who wants a novelty. She is polite and then she is gone, which is the right order. The mother on the other end of the story is the point the songs keep trying to replace with a prince. The prince can stay in the picture. He is not the windowsill.
Don Bluth's drawing is more serious than the plot. The cold, the animals, the smallness are felt. Say, if you watch it, that a girl is not a prize for the next creature who finds her charming. Then name the place in your own house that a lost child should be able to aim at.
Journal
Keep Thumbelina in the record.
No house has filed a sentence for this yet.
Live Historic number 53. Yours can differ.
The glance
Industry and Piety and Republic are the thin ones.
Does anyone here do a real job, and does that job matter?
This phone is set for a grown person, just me. Change the ages.
Consider this
Room on the Broom
66 instead of 53
Room on the Broom is still a animation film, and it scores 66 instead of 53. What you gain is industry: The broom is a tool.
The eight
- 3Industry
No trade. A journey.
- 7Household
The plot is a child separated from her mother.
- 3Piety
Wonder, and a fairy court that is not a faith.
- 6Courage
She keeps refusing the houses that would keep her.
- 4Republic
Creatures with their own interests. Little law.
- 6Temperance
The beetle, the mole, and the toad are appetites. She does not join them.
- 6Truth
Home is specific. The offers are flattery.
- 7Stewardship
Getting back is worth more than the wedding the poster prefers.
Where to watch
Finding the page.
Live Historic · Thumbelina · 53IMDb
