The Passion of Joan of Arc

71Worth an evening.

She will not sign, and this trial was never an American crowd.

The review

This never played as an American crowd, and the talk still kept it. Dreyer tells Joan's trial in faces. She will not sign what the court wants. The stake is the end. Renée Falconetti. Silent. Older teens. I won't describe the burning. The conscience is the refusal. The close-ups are why it stayed.

I was tired and I still couldn't look past the not-signing. That is the weight, and it doesn't need spectacle from me. A court wants a paper. She will not give it. If a teen sees this, say the fame came later and quietly, not from a Saturday house. The faces are severe. The choice is plain enough to repeat without a speech after.

Journal

Keep The Passion of Joan of Arc in the record.

No house has filed a sentence for this yet.

Live Historic number 71. Yours can differ.

The glance

Household is the thin one.

Is a marriage, a parent, or a child a real life here, or just a prop?

This phone is set for a grown person, just me. Change the ages.

Consider this

Cabrini

83 instead of 71

Cabrini is still a history film, and it scores 83 instead of 71. What you gain is household: The children are the household she is building.

The eight

5
Industry
The court's work is the trial, and her work is refusing the paper.
1
Household
No parent, spouse, or child: the life on screen is Joan against the court.
10
Piety
Conscience is the refusal: she will not sign what the court wants.
10
Courage
She risks the stake rather than sign, and the stake is the end.
8
Republic
A court demands a signature, and she owes the truth instead of that paper.
7
Temperance
The close-ups stay on the refusal, not on training you to want the stake.
10
Truth
She will not sign their version, so the false paper never gets her name.
6
Stewardship
What stayed is the faces and the refusal, not an American crowd's comfort.

Where to watch

Finding the page.

Live Historic · The Passion of Joan of Arc · 71IMDb

Live HistoricSee what matters.

Film · Walt Disney · 2018

Pass it on

Black Panther

71Worth an evening.

A nation owes the people it hid from. A king still has to keep the nation.

The review

Killmonger is not a twist. He is what happens when a nation saves itself and leaves a child in the other place. T'Challa's answer is not to hand him the weapons. It is to stop pretending the border was innocent, and still not to burn the country down to pay for it.

Watch the argument, not only the suit. A house can ask the same question at a smaller size: whom did we leave outside, and what will we open without giving the place away.