Serpico

74Worth an evening.

He will not take the money, and the job makes him pay for that refusal.

The review

Frank Serpico will not take the pad of bribes. He grows his hair and his beard, and he will not pretend a New York police job is clean. The department isolates him. He is shot. Based on the real officer. None of that is a slogan about standing out. It is a man who kept a duty and lost the room.

If you want a cop story, this is the one where he keeps the duty and loses the room. Serpico holds the obligation and pays in isolation and a bullet. He is cut off because he would not join the lie. Say that afterward, and remember the officer was real.

Journal

Keep Serpico in the record.

No house has filed a sentence for this yet.

Live Historic number 74. Yours can differ.

The glance

Household is the thin one.

Is a marriage, a parent, or a child a real life here, or just a prop?

This phone is set for a grown person, just me. Change the ages.

Consider this

To Kill a Mockingbird

81 instead of 74

To Kill a Mockingbird is still a crime film, and it scores 81 instead of 74. What you gain is household: A father raising children in public.

The eight

8
Industry
Police work is the life here, and whether that job is clean is the question.
3
Household
The life at stake is the job, not a marriage or a child he is raising.
8
Piety
Conscience stops him. He will not take the money the pad expects.
9
Courage
He risks the workplace and is shot, and the man he is based on was real.
8
Republic
A city is owed cops who refuse bribes, and he pays for acting as if that is true.
8
Temperance
Easy money is what the precinct wants, and he puts that want down.
9
Truth
He will not pretend the job is clean, and the pad's lie is given a bill.
6
Stewardship
He is left shot and isolated; the city is left with the fact of the refusal.

Where to watch

Finding the page.

Live Historic · Serpico · 74IMDb

Live HistoricSee what matters.

Film · Paramount · 2016

Pass it on

Arrival

74Worth an evening.

Understanding is the work. She says yes to a child she will lose. That yes is the film.

The review

Louise's profession is the unfashionable one: sit with a sentence until it means what the speaker meant, not what you feared. The generals want a weapon. The film thinks a grammar is more dangerous and more useful than a weapon, because a grammar changes what you are able to choose. When she sees the whole of her life with her daughter, including the end, she does not flinch into a safer timeline.

Adults, and teenagers who can be quiet. This is one of the few popular films of the decade that treats knowledge as a moral act. Watch it when the house is tempted to answer before it has understood.