Live HistoricSee what matters.

Film · Disney · 2011

Pass it on

Pirates of the Caribbean: On Stranger Tides

26Leave it.

The first film had a father and a blacksmith. This one has a queue. Leave it.

Take controlThis scores 26. If you do not want Pirates of the Caribbean: On Stranger Tides in the house, the steps are on Disney+. Block it

The review

The first story worked because a son wanted his father back and a pirate was not yet a brand. This one starts at the brand. The fountain is an errand. The mermaids are an attraction. Jack is funny the way a mascot is funny, on time, and empty.

You can skip it without missing a sentence you needed. If the house is in a pirate mood, put on the first one and stop.

Journal

Keep Pirates of the Caribbean: On Stranger Tides in the record.

No house has filed a sentence for this yet.

Live Historic number 26. Yours can differ.

The glance

Industry and Household and Piety and Courage and Republic and Temperance and Truth and Stewardship are the thin ones.

Does anyone here do a real job, and does that job matter?

This phone is set for a grown person, just me. Change the ages.

Consider this

The Amazing Spider-Man 2

38 instead of 26

The Amazing Spider-Man 2 is still a adventure film, and it scores 38 instead of 26. What you gain is industry: School, a job at the paper, a laboratory.

The eight

3
Industry
There is a map and a ship. The work is pantomime.
2
Household
No house. A missionary loves a mermaid the film does not believe in.
3
Piety
A cross shows up. It is a prop in a supernatural chase.
4
Courage
People sail toward a rumor of not dying.
2
Republic
Kings are employers of pirates. The public is a port.
2
Temperance
The joke and the monster take turns. Neither knows when to stop.
3
Truth
It does not pretend this quest is noble. It also has nothing it means.
2
Stewardship
Nothing is handed on except the hat.

Where to watch

Finding the page.

Live Historic · Pirates of the Caribbean: On Stranger Tides · 26IMDb tt1298650

Live HistoricSee what matters.

Film · MGM · 1958

Pass it on

Gigi

26Leave it.

A best picture. The training is the rot, and the marriage at the end does not redeem the school.

Take controlThis scores 26. Gigi cannot be blocked by name on this shelf. The lock is the phone. Block it

The review

It won the best picture of its year, and the award does not change the curriculum. A grandmother and an aunt are training a young woman in Paris to be the mistress of a rich man: how to choose jewels, how to behave at the table, how to be expensive. The young man who has been wandering through other such arrangements decides he wants this one, and the happy ending is that he marries her instead. The film expects the marriage to retire the question.

It does not. The school was the story, and the school is a preparation of a girl for a man's use. The songs are lovely and the loveliness is the danger, because loveliness is how the curriculum gets past a room. I would not put it on for a young woman as a charming antique. If adults watch it as history, say what the aunt was actually teaching before the last waltz. The last waltz is not a pardon.