On the Waterfront

74Worth an evening.

He testifies for real, and the picture is also the director's brief.

The review

A longshoreman once took a dive. A boss runs the union and kills the men who talk. A priest and a dead man's sister push him. His brother works for the boss. He testifies. I won't quote the taxi ride. The job is real and the risk is real. I believed the fear on the dock.

The director had named names to Congress two years earlier, and the film is also that argument. A best-picture prize doesn't turn a brief into a plain good deed. Adult, and not where I start a child. After it, separate the man's risk from the director's case. They are not the same courage.

Journal

Keep On the Waterfront in the record.

No house has filed a sentence for this yet.

Live Historic number 74. Yours can differ.

The glance

Temperance is the thin one.

Is appetite shown and then put down, or are you being trained to want the next one?

This phone is set for a grown person, just me. Change the ages.

Consider this

To Kill a Mockingbird

81 instead of 74

To Kill a Mockingbird is still a crime film, and it scores 81 instead of 74. What you gain is stewardship: The children are the ones being formed, which is the point.

The eight

9
Industry
The dock is the job, and a crooked union is the life around it.
7
Household
His brother works for the boss. The dead man's sister is not a prize.
8
Piety
A priest pushes him toward the testimony he has been avoiding.
9
Courage
Men who talk are killed, and he testifies anyway.
7
Republic
He owes the dock the truth. The film also carries the director's hearing.
5
Temperance
The dive was an old bargain. The boss still wants the silence.
8
Truth
The dive was a lie in the ring. Testimony is where the bill comes due.
6
Stewardship
The men may get an honest union. The picture also pleads for its maker.

Where to watch

Finding the page.

Live Historic · On the Waterfront · 74IMDb

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Film · Paramount · 2016

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Arrival

74Worth an evening.

Understanding is the work. She says yes to a child she will lose. That yes is the film.

The review

Louise's profession is the unfashionable one: sit with a sentence until it means what the speaker meant, not what you feared. The generals want a weapon. The film thinks a grammar is more dangerous and more useful than a weapon, because a grammar changes what you are able to choose. When she sees the whole of her life with her daughter, including the end, she does not flinch into a safer timeline.

Adults, and teenagers who can be quiet. This is one of the few popular films of the decade that treats knowledge as a moral act. Watch it when the house is tempted to answer before it has understood.