Film · Warner Bros. · 1942
Pass it on
Now, Voyager
61Watch it awake.
She gets free of her mother, and the child is the life, not that married man.
The review
The mother is the cage. I knew that before the voyage. A repressed daughter is sent off and comes back a person, which is the part I wanted for her. Bette Davis. Adult. She loves a man who is married. I braced for the film to smash his house and call it her freedom.
She ends caring for his child. The child is a life, and it is not a marriage. Don't offer me the moon line. I won't say it. Getting out from under that mother is real. Wanting someone else's husband is a different fact, and the film's last answer is the child. Not for a young child. Older teens only with you there.
Journal
Keep Now, Voyager in the record.
No house has filed a sentence for this yet.
Live Historic number 61. Yours can differ.
The glance
Industry and Republic are the thin ones.
Does anyone here do a real job, and does that job matter?
This phone is set for a grown person, just me. Change the ages.
Consider this
High Noon
74 instead of 61
High Noon is still a drama film, and it scores 74 instead of 61. What you gain is republic: A town that will not keep its own peace.
The eight
- 2Industry
No job holds the story. A voyage and a mother do.
- 8Household
A tyrant mother, a married man, and his child as a real life.
- 7Piety
She does not make the married love a wedding. She cares for the child.
- 8Courage
She leaves the mother's cage and cares for a child who is his.
- 2Republic
No town and no law. The cage is the mother's own house.
- 7Temperance
Wanting a married man does not get to be the life she keeps.
- 7Truth
The child is cared for as a child, not dressed up as a marriage.
- 8Stewardship
She comes back a person, and the child is left with care.
Where to watch
Finding the page.
Live Historic · Now, Voyager · 61IMDb
