Live HistoricSee what matters.

Series · Disney+ · 2023

Pass it on

Moon Girl and Devil Dinosaur

58Watch it awake.

A mind, a block, a family. The dinosaur is extra. The grandmother is not.

The review

Lunella is smarter than the room and the show enjoys it. The correction, when it arrives, is a family and a neighborhood that are not her audience. Devil Dinosaur is a partner who is not verbal and is loyal. The inventions would be the whole show if the Lower East Side did not keep being specific.

Good for the middle years. Watch whether genius is allowed to be a service or only a spotlight. Encourage the service. A child who is ahead still has to set the table.

Journal

Keep Moon Girl and Devil Dinosaur in the record.

No house has filed a sentence for this yet.

Live Historic number 58. Yours can differ.

The glance

Piety is the thin one.

Can conscience actually stop someone, or is reverence only in the shot so it can be mocked?

This phone is set for a grown person, just me. Change the ages.

Consider this

Star Wars Rebels

70 instead of 58

Star Wars Rebels is still a action show, and it scores 70 instead of 58. What you gain is piety: The Force is a discipline Kanan is afraid to teach, and then teaches.

The eight

7
Industry
She builds. The lab is a craft, and it has consequences.
7
Household
Parents, a grandmother, a block. They are not fools.
3
Piety
A girl's confidence. Little beyond it.
6
Courage
She steps in for people who cannot.
6
Republic
A neighborhood with a name and a history.
5
Temperance
Being the smartest is the appetite.
6
Truth
The family will not let her narrate her own exception forever.
6
Stewardship
Inventions that stay in the community are the good ones.

Where to watch

Finding the page.

Live Historic · Moon Girl and Devil Dinosaur · 58IMDb

Live HistoricSee what matters.

Series · Disney+ · 2018

Pass it on

9-1-1

58Watch it awake.

People who answer the call. The disasters are opera. The job is still a real one.

The review

The fantasy disasters are absurd, and the series knows you know. Under them is a truer picture than most shows will sit with: a dispatcher who stays on the line, a firefighter who goes back in, a city that works only because some people answer. The personal plots are soap. The work, when they let it be work, is the reason the show is not empty.

Older teens can watch an episode with you and then you should tell them about a real emergency you know, which was smaller and not choreographed. Admire the answering. Do not admire the tornado.