Film · Italy · 1914
Pass it on
Cabiria
34Leave it.
A teen can take the elephant and the sets; leave the temple undescribed.
Take controlThis scores 34. Cabiria cannot be blocked by name on this shelf. The lock is the phone. Block it
The review
A girl in the Second Punic War, a temple, an elephant, and a strongman named Maciste. Giovanni Pastrone made it in Italy in 1914. It is not an American gross leader, and I won't invent one. This is the picture that taught Griffith the size of a set. A teen can watch the scale. The empire is the spectacle.
The temple scene is a sacrifice. I won't describe it, and I don't want it described at the table. The elephant and the sets are why people still bring it up. They are not a reason to walk a child through that scene. Watch the size if you must, and keep the temple undescribed.
Journal
Keep Cabiria in the record.
No house has filed a sentence for this yet.
Live Historic number 34. Yours can differ.
The glance
Industry and Household and Piety and Republic and Temperance and Truth and Stewardship are the thin ones.
Does anyone here do a real job, and does that job matter?
This phone is set for a grown person, just me. Change the ages.
Consider this
Argo
53 instead of 34
Argo is still a history film, and it scores 53 instead of 34. What you gain is industry: A cover story has to be built: names, calls, a fake movie.
The eight
- 4Industry
The sets are a real job of building, and they taught Griffith size.
- 3Household
A girl is carried through a war epic, not given a household.
- 2Piety
The temple scene is a sacrifice, not a conscience that stops one.
- 5Courage
Maciste is the strongman beside a girl set inside a war.
- 3Republic
The Second Punic War is played as empire, and empire is the show.
- 3Temperance
Elephant, temple, and giant sets train you to want more size.
- 4Truth
A historical spectacle, not a record, and not an American ledger.
- 3Stewardship
Griffith took the set size; the empire stayed a spectacle.
Where to watch
Finding the page.
Live Historic · Cabiria · 34IMDb


























































































































































































































