Tonight
Ten for the evening
One to ten. Newest, most watched, highest on the Living Meter. Prime, Disney+, Hulu, Hallmark, Acorn, and Netflix.
A few minutes of curiosity for a very small child. It is not a story.
Booba is a preschool sketch: no words, a creature, and the pleasure of finding out that a kettle is hot or a balloon gets away. For a very small child on your lap, one or two of them are harmless and even a little useful, because the world pushes back. It does not become a story. There is no one to be loyal to, and no one who is counting on him.
Sit with the child if it is on. When the short ends, hand them a real object and let them see what it does. Do not let a queue of shorts become the afternoon.
Industry
5/10
He tries a thing, it goes wrong, he tries a different thing. That is a kind of work.
Household
3/10
No house and no parent. The room is a laboratory.
Piety
3/10
Wonder, of a small kind. Nothing is revered.
Courage
4/10
He is not afraid of a new object. The risk is a pratfall.
Republic
2/10
Nobody else is in the world.
Temperance
6/10
No cruelty. The joke is physics.
Truth
5/10
Cause and effect are honest. A thing does what it does.
Stewardship
3/10
Nothing is kept for later except the next short.
Live historicallyGive a small child one real thing to figure out with their hands, then put the screen away.
The question is real. The thrill is not a reason to watch. Adults.
A family boards the windows and discovers that a legal crime is still a crime, and that the night is aimed at the people least able to buy a door. That is a true political sentence. The film then spends the sentence on a home-invasion scare, because a scare sells and a sentence does not.
Do not use it as a thought experiment at dinner with children in the room. A republic that imagines a holiday from law has already begun to hate its weak. You do not need the mask to understand that.
Industry
4/10
A guarded house is a kind of work. The film prefers the siege.
Household
5/10
They do try to keep the family inside the door.
Piety
2/10
No higher law than the statute that was switched off.
Courage
5/10
Opening the door to a stranger is the one brave beat.
Republic
4/10
It names a nation that prices safety, then guns the scene.
Temperance
2/10
The release is the fantasy.
Truth
6/10
The premise tells on a country that would ration mercy.
Stewardship
3/10
What it leaves is a mask, not a duty.
Live historicallyAsk who is safe when a rule is suspended, then keep the rule.
Better as a panic than as an army of suits. The boy is the human part.
Tony cannot close his eyes after the city he almost died in. The suits are not a hobby in this one. They are a man trying to be untouchable. That is a true picture of a certain kind of competence: build enough metal and you will not have to feel the night.
A child in a small town treats him as a person who needs a tool, not as a poster. Keep that scene. The Christmas army of armor is the studio remembering what it sells. Adults. A younger child will only see the army.
Industry
6/10
He tinkers because he cannot rest. The workshop is a symptom and a skill.
Household
4/10
Pepper is the home he keeps endangering. The boy is a brief, decent house.
Piety
2/10
No god, no oath. Anxiety is the only altar.
Courage
5/10
He gets out of the suit and does the job scared.
Republic
3/10
A veteran is the villain's costume. The country is a television.
Temperance
3/10
The ending multiplies suits because one man was not enough spectacle.
Truth
5/10
It admits he is not well after New York. The admission is the best scene.
Stewardship
3/10
What he wants to leave her is a man, not a brand. The brand stays.
Live historicallyNotice one worry this week that you are covering with a purchase, and do the plain next thing instead.
Attention is good. Sparkle without a fact is a screensaver.
A reel of jeweled creatures can teach color and patience to a child, which is not nothing. It fails the moment it becomes a jewelry case, creatures edited into gems, no habitat, no cost. The sea is not a boutique.
Put a short stretch on if the room will be quiet. If the film never names a place or a threat, you have had a decoration. Decorations are allowed. They are not measures.
Industry
3/10
Looking.
Household
2/10
No people.
Piety
4/10
Awe, thin.
Courage
2/10
None required.
Republic
3/10
A common ocean, if they say so.
Temperance
5/10
Calm.
Truth
3/10
Beauty is not a finding.
Stewardship
4/10
The eye is trained a little, or spoiled a little.
Live historicallySpend ten quiet minutes with one living animal, not a montage.
People singing other people's songs, judged. A pastime. Not a counterfeit of a life in music.
The episode sitting in the row is Chart-Toppers, which is the whole instruction: sing the thing people already love, and be scored on the copy. There is nothing wicked in it. There is also nothing to come back for except the feeling of a crowd.
Let it finish if someone is in the middle of a song. Do not let a Sunday become a queue of other people's choruses.
Industry
4/10
Performance takes practice. The show mostly shows the performance.
Household
2/10
Strangers. A host.
Piety
1/10
The idol is the note someone else made famous.
Courage
4/10
Stage fright is real, and small.
Republic
2/10
A competition, not a commons.
Temperance
6/10
No vice except the desire to be the one clapped for.
Truth
4/10
It does not pretend this is composing.
Stewardship
3/10
A catalog of hits, consumed again.
Live historicallySing something in the house with no score and no phone.
Debt is a real terror. The show turns the terror into a sport and asks you back for another round. Leave it.
The opening is not a lie. People will accept a terrible term when the alternative is shame, a collector, a child they cannot feed. That is a fact about money and it is worth saying. The show says it once and then gets down to its real work, which is inventing prettier ways to kill the contestants so you will press next. The masked rich are a cartoon of a point the show itself is busy embodying: someone is paying to watch.
Do not bring a teenager. Do not tell yourself it is a critique if you are there for the doll and the bridge. A critique that needs you to enjoy the cruelty is a product with a footnote.
Industry
4/10
The work that put them in debt is real. The work the show loves is the game.
Household
3/10
Families are the reason they signed and the footage they are given to watch while they betray each other.
Piety
1/10
No reverence. Childhood games are the altar of the killing.
Courage
4/10
A few refuse to become the kind of player the game wants. The show needs them to lose or it has no engine.
Republic
4/10
The rich watch from a balcony. The satire is obvious and it is also the business model.
Temperance
1/10
The pleasure is the elimination. You are trained to want the next game.
Truth
5/10
It tells the truth that a desperate person will sign a monstrous contract. Then it sells the contract.
Stewardship
1/10
What it leaves is a costume and a dare to watch the next season of the same deaths.
Live historicallyIf a show makes you want the next death, turn it off and sit with the want until it is embarrassing.
Work and a friend, wrapped in a joke that got harsher as it went.
The early episodes are a defense of being glad to make the burger and glad to see your friend. That is a better children's comedy than the market produced around it. It does not know when to stop, and the later voice is a yell. Keep the early gladness. Do not let the yell be the house tone.
Industry
7/10
He loves the grill. The love of a humble job is the best of it.
Household
4/10
No family. A boss, a neighbor, a friend. The friend is loyal.
Piety
2/10
Nonsense, cheerfully.
Courage
4/10
He tries. Trying is played as both sweet and foolish.
Republic
4/10
Bikini Bottom is a town with a job for him.
Temperance
5/10
Early episodes are playful. Later ones are louder and meaner.
Truth
5/10
The early show means what it says about the job and the friend.
Stewardship
4/10
It became a permanent weather. A child can live in it too long.
Live historicallyLet a child see you be glad of a small task. One episode, then the task.
Loyalty and a horizon. A thousand episodes of it. The loyalty is real. The length is a life.
Luffy's virtue is that he will not leave a friend and will not bow to a cruel local god. Those are good serial virtues, and the crews's roles make a ship feel like a little order. The caution is numerical. There are more episodes than a young person should give to any single dream of someone else's. Watch an arc. Then live an arc of your own.
Industry
4/10
A ship has roles: cook, navigator, doctor, captain. The work is episodic.
Household
5/10
The crew is the household. They do not replace a people, but they refuse to abandon one another.
Piety
3/10
A dream is the creed.
Courage
7/10
They sail toward the thing. Courage is the show's genuine virtue.
Republic
4/10
Tyrants and marines and islands. Politics as a pirate serial.
Temperance
3/10
It does not end. That is the intemperance.
Truth
5/10
Friendship is meant, not smirked.
Stewardship
4/10
A treasure handed across an ocean. Also a schedule that can eat a childhood.
Live historicallyOne arc, with a defined end. When it ends, stop, even if the next island autoplays.
Superstition and gore as a style. The courage is staying. Adults, or older teens who already like a ghost story told plainly.
Ichabod arrives certain that a crime is only a crime. The film is a fable about the limit of that certainty, and also a display of beheadings as design. Take the fable, decline the display if you do not need it. The town is a real polity of frightened people, not a backdrop, when the movie remembers. A constable who will not leave is the civic good.
The legend itself, told aloud without the close-ups, may be the better version for a house. Washington Irving was already enough ghost for one autumn.
Industry
5/10
A constable's job.
Household
4/10
A town of households under a terror.
Piety
3/10
Folk fear, little faith.
Courage
6/10
He stays when his theory fails.
Republic
5/10
A village that must be answered.
Temperance
3/10
The camera likes the wound.
Truth
5/10
Reason is corrected, not abolished.
Stewardship
4/10
Hand on the legend, not the showcase.
Live historicallyDo not mock a town's fear until you have walked the road they fear.
The senate is the story. The race is the product. Watch it only for the rot.
Under the toys there is a real subject: a free government so bored by its own rules that it applauds the man who offers to skip them. That is the phantom. A decade that was about to hand a great deal of trust to confident men could have used the scene.
The film will not stay there. It goes to a race, a joke, a child who is special because of his blood. You can skip it without losing the later, better sentence about fear. If a child already loves the ships, say what the senate did, in one plain minute, and then go outside.
Industry
4/10
Jedi are diplomats for a scene, then athletes.
Household
4/10
A mother lets a child go because the order says he is needed.
Piety
4/10
The Force is a census of the blood. Reverence has become a measurement.
Courage
5/10
They walk into a negotiation that is already a trap.
Republic
6/10
A senate, a blockade, a chancellor who is too helpful. The public is the point.
Temperance
3/10
A podrace and a battle of droids eat the politics.
Truth
5/10
It does say the peace is a costume. It will not sit in the room where that is true.
Stewardship
4/10
What a republic hands on here is a procedure someone has already captured.
Live historicallyTell the senate scene in your own words: who offered to make the waiting stop.
