Tonight
Ten for the evening
One to ten. Newest, most watched, highest on the Living Meter. Prime, Disney+, Hulu, Hallmark, Acorn, and Netflix.
Good enough for a child who loves animals. The freedom speech is doing a little too much.
Lucky Prescott arrives in a frontier town and meets a horse that will not be owned in the cheap way. The best episodes are about feeding, fear, and staying with an animal that does not owe you a trick. The weaker ones are about a girl who is right because she is spirited and the adults are slow. A child who loves horses can learn the first lesson here.
Watch with them. When Lucky ignores a warning, ask whether that was courage or hurry. The horse can usually tell.
Industry
6/10
The barn is work: feed, hoof, weather. You can see it.
Household
6/10
An aunt, a father, friends. The town is trying to raise her, and she is not always grateful.
Piety
4/10
Care for a creature is the reverence on offer.
Courage
6/10
She goes back for the horse. Sometimes she goes against the adult who was right.
Republic
6/10
A small town with a railroad and neighbors who have names.
Temperance
5/10
Recklessness is often called spirit. The show knows the difference and then fudges it.
Truth
6/10
The horse is not a prop that performs loyalty on command. That honesty matters.
Stewardship
7/10
Stewardship of an animal is the actual lesson, when they let it be.
Live historicallyIf the house keeps an animal, let a child do one real piece of its care today.
A child who will not stop searching for her mother. The comedy is in the way.
Tip's mother is taken in an alien relocation and Tip does not adjust. She goes. Oh is a coward from a culture of cheerful conformity, and the film thinks courage is catching. The Boov are comic invaders. The girl is not comic. That imbalance is the film's integrity.
It is bright and a bit frantic. Under it: do not relocate a family and call it help. Do not leave a child to be reasonable about a missing mother.
Industry
4/10
A journey, a scavenged car.
Household
8/10
The whole plot is a daughter retrieving her mother.
Piety
2/10
None.
Courage
7/10
She does not accept the relocation.
Republic
5/10
An empire that moves populations and smiles.
Temperance
5/10
Cowardice is Oh's starting vice.
Truth
7/10
The Boov call an invasion a welcome.
Stewardship
8/10
A mother and child belong in the same house.
Live historicallyIf a child is looking for you, be findable.
A short, and a sound one. The party matters less than the sister.
Elsa overreaches for Anna's day and unravels, and the day is saved by the people who do not need the spectacle. That is the right size for a short. It does not reopen the whole kingdom's theology. It says a sister is not a performance.
Fifteen minutes is the correct ambition. Watch it between larger things. If a child only remembers the song, sing the song and then set the table yourselves.
Industry
5/10
Preparing a feast is work.
Household
8/10
Sisters. The gift is presence.
Piety
4/10
No new creed. Affection.
Courage
5/10
She tries, past her strength.
Republic
4/10
A castle household.
Temperance
6/10
Excess is corrected.
Truth
7/10
The perfect day was the wrong aim.
Stewardship
7/10
A small picture of showing up unwell and loved.
Live historicallyLet a small celebration be small, and show up anyway.
A family that stays in the same city. The talk is the work, and sometimes a substitute for it.
Braverman life is crowded on purpose. A child with a difficult mind, a marriage under strain, a father who was not gentle, and a family that will still take the phone call. That is a picture worth having. The limit is the speech. They explain themselves past the point of doing the small thing.
Watch it for the showing up. Do the small thing yourself before the speech.
Industry
6/10
Jobs, school meetings, a campaign, a studio. Adults have posts.
Household
8/10
The extended family is the subject. They show up.
Piety
3/10
Conscience without a church. They still have one.
Courage
6/10
They have the hard conversation, usually a season late.
Republic
5/10
A school, a baseball field, an election. Civic life at the edges.
Temperance
5/10
Feeling is indulged. The show believes a talk can finish a duty.
Truth
6/10
The children are particular. The diagnoses are not jokes.
Stewardship
7/10
The grandchildren are the reason the siblings keep the peace.
Live historicallyThis week, show up for one relative in the boring way: a ride, a meal, a form.
Fine for five. Almost no words, no cruelty, and not much to keep. A short one, not the diet.
Bheem is a toddler who can lift a cart, and the episodes are short enough that a five-year-old is not lost. There is no sarcasm and no one is the joke for being small. That clears the bar a lot of the row does not.
It will not teach her a thing she can use tomorrow. Put it on when you need twenty quiet minutes, then stop. If it is the only voice in the afternoon, switch to Gabby, or to no screen at all.
Industry
4/10
He causes a mess and the town cleans it. Work is the background, not the lesson.
Household
7/10
A child, a mother, a street that knows him. The scale is a household.
Piety
3/10
No creed. No contempt for one either.
Courage
5/10
He tries. The danger is a cartoon, and he is never mean about it.
Republic
4/10
A village is the stage. He is the only plot.
Temperance
7/10
The jokes are falls and surprises, not humiliation.
Truth
5/10
It does not pretend to be more than a small adventure.
Stewardship
4/10
Nothing is handed on but a laugh. That is allowed, once.
Live historicallyOne episode. Then go outside or to the floor. Do not let the autoplay decide.
The character is sound. A new chapter still has to earn the old line about responsibility.
Peter's worth was never the skyline. It was a boy who could have walked past and did not, and who still had a person to return to. A title like Brand New Day can mean that morning, or it can mean a franchise resetting the board so the suit can be sold again. The desk will not invent which one this reel chose.
Judge it by the aunt, the friend, and the small harm he refuses. If those are props for a third-act beam of light, it is a poster with a runtime. If he is poorer, later, and still the one who doubles back for a stranger, the old measure holds and the new day is real.
Industry
5/10
The work of the hero is the errand. The poster shows the leap.
Household
5/10
The promise of the character is that he has a home.
Piety
3/10
Power without a creed, unless the story remembers the line.
Courage
6/10
He is built to go toward the noise.
Republic
5/10
A city of neighbors is the whole point, when they remember it.
Temperance
4/10
Spectacle is the diet of the series.
Truth
5/10
The true sentence is the old one. This film has not yet been forced to repeat it.
Stewardship
4/10
What a child copies is the swing, not the homework.
Live historicallyDo one unphotographed errand for a neighbor this week.
A vigilante who is at least solemn about it. Still a man who replaced the courts.
This is Batman for people tired of the joke version. The art is serious and the cases have a shape. The old objection stands: a good city needs detectives who testify, not an heir in a mask. Watch it as a noir, not as a civics lesson.
Industry
6/10
Detection and a city of working crooks. The craft is the pleasure.
Household
3/10
No family. Alfred is a staff.
Piety
3/10
A private vow, sternly kept.
Courage
6/10
He goes out. The city is not saved by a speech.
Republic
3/10
The police are corrupt or secondary. He remains the exception.
Temperance
6/10
It refuses the joke. That restraint is the improvement.
Truth
6/10
Crime has causes and culprits. Both are allowed.
Stewardship
4/10
A city he will not join except through a mask.
Live historicallyIf you admire the detective, admire the part that can stand up in court.
Work, danger, and money. The household is what the lease is spent against.
Someone has to stand on the pad so the lights in your house come on, and the show is willing to show that someone. That is worth an evening. It is also a Sheridan show, so the family is a bar fight with relatives and the truth arrives already swaggering.
Take the lesson about the work. Leave the swagger.
Industry
8/10
Rigs, leases, crews. The industry is the subject and it is not faked.
Household
4/10
An ex, a wife, children. He provides and does not stay.
Piety
2/10
The well is the liturgy.
Courage
6/10
The work can kill, and they go out anyway.
Republic
4/10
Companies, crews, a town that exists because of the field.
Temperance
3/10
The money comes with a binge.
Truth
6/10
It is unusually plain about where fuel comes from.
Stewardship
4/10
The ground is used hard. Stewardship is a spreadsheet.
Live historicallyKnow where one thing in your house comes from: the heat, the gas, the food. Thank the work without copying the man.
A real grief, dropped into a house that immediately becomes a dating show.
Jackie is a girl with no house, and a loud family gives her one. That first movement is worth something. The series cannot leave it alone. Two brothers, one girl, and the grief becomes the reason the triangle feels deep. It is not deep. It is a shelf of the same afternoon.
A thirteen-year-old will understand the crush and miss the orphan. If you watch any of it, stop after the episode where the house simply feeds her, and talk about what it means to take someone in. Do not finish the season for the kiss.
Industry
4/10
The ranch is work. The show would rather be in a bedroom.
Household
6/10
A family opens the door to an orphan. Then the door becomes a contest between brothers.
Piety
3/10
Loss is felt. Reverence is not.
Courage
4/10
She starts over in a new town. The risk the show cares about is which boy.
Republic
5/10
A big table is still a table. The town is Colorado and mostly scenery.
Temperance
4/10
Teen romance is the sugar. It is constant.
Truth
4/10
Grief is not a lie. The triangle treats it as a pause between kisses.
Stewardship
5/10
Being taken in is a form of handing on. The series does not stay with that.
Live historicallySet one extra place this week for someone who is not already yours.
A real wound, a private execution. Honor is not the same as being judge and rifle.
A man's family is taken and the institutions that should have answered are in on it, or useless, or both. The rage is intelligible. Any standard that cannot understand a father in that room is not a standard, it is a pose. The next step is where it leaves the road.
He becomes the law because the law failed. That move feels clean on a screen and ends, in life, in a country of private lists. Mourn with him. Do not enlist. If you want a picture of honor, look for the man who wants justice and still submits to a judgment that is not his own pulse.
Industry
6/10
A professional soldier's competence is respected.
Household
6/10
The household is the wound. Love of family starts the whole fire.
Piety
3/10
Vengeance replaces judgment. There is no authority above his grief.
Courage
7/10
He is willing to die for his dead. Twisted, and not fake.
Republic
2/10
The republic's courts are discarded on purpose.
Temperance
3/10
Revenge is the appetite, and it is fed.
Truth
5/10
A cover-up is the enemy. His own certainty is never tried.
Stewardship
3/10
A list of corpses is not an inheritance.
Live historicallyIf you are carrying a grievance, write the fairest version of the other side before you act on it.
